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New Zealand cartoonist and censorship.

The Herald was traditionally seen as a staid centre-right newspaper, and given the nickname "Granny Herald" into the 1990s. This changed with the acquisition of the paper by Independent News & Media in 1996, and today the Herald is generally editorially centre-left on international geopolitics, diplomacy, and military matters, often printing material from British newspapers such as The Independent and The Observer, while remaining free enterprise  oriented on economic matters such as trade and foreign investment. Some ascribe the Herald's stance on the Middle East as supportive of Israel, seen most clearly in its 2003 censorship and dismissal of cartoonist Malcolm Evans following his submission of cartoons critical of Israel. [5]  On the other hand, Robert Fisk and Gwynne Dyer, commentators critical of Israel, are also regular commentators in the paper.

http://en.wikipedia.org/wiki/Nzherald.co.nz#cite_note-4

8 Responses to “Malcolm Evans, Kiwi cartoonist, fired for anti-zionist cartoons”

  1. Very poignant and right on in many cases although a bit OTT. I knew many of these and did not know that it was he who drew them. I tip my hat off to the guy as he is quite gutsy in drawing such cartoons.

    Must send him a message and wish many Palestinians would do so. We have very few true friends on the world who are not anti-Semitic or use the Palestine problem to advance their own agendas. I would even say that our number of friends from within the Palestinian community itself is diminishing.

  2. “Wherever there is conflict in the world, even in Afghanistan and Iraq, it all comes back to Israel” he says. That is infuriating and wrong . And even if the person saying it doesn’t think he is anti-Semitic, it is anti-Semitic, because it suggests, again, and as always, that the Jews are THE problem, THE cause for ALL conflict. It’s just absurd that anyone would make this weepy video about a man who calmly and seriously attributes all the conflict in the world to one source, whatever it is.

    How many cartoons showing Israel controlling the US (and hence, I guess, everything) do you need to see before bells go off in your head reminding you of past anti-Semitic propaganda? Didn’t you know? The Jews controlled Poland. They controlled Russia. They control the entire economic system today and, psssst, did you here, Lehman Brothers send 400 BILLION to Israel banks before its collapse. Pssst, didn’t you know? Mossad agents caused 9-11. No Jews showed up to work that day. Psssst, didn’t you know, if only Israel were “solved”, there would be NO CONFLICT IN THE WORLD!

    For f*ck’s sake.

    Israel is not the root of all conflict in the world. It is just what western leftists like this cartoonist like to blame everything on.

    Just because he’s clever and is a talented illustrator doesn’t mean he didn’t deserve to be fired. Unfortunately, his firing and soft, contemplative tone allows him to be made into a martyr for free speech and blah blah blah.

  3. Cry me a river Dan.

  4. If there was something terribly off the mark in what I said (aside from my typos), I’d be interested. This cartoonist and a lot of people who think like him attribute all the world’s ill to Israel. They pretend it’s ok, that it’s somehow different from old conspiracies, because it’s “anti-zionist” not “anti-Jewish”. It may be different in tone or in approach but it is not different in effect and would not be different in outcome.

  5. Dan,

    Is the settler colonialism practiced by Israel a problem?
    Could Israeli actions turning Palestinians into less than citizens on their own land Apartheid-esque? That’s what this cartoonist is suggesting. Seems like what this illustrator was arguing doesn’t hinge on Israel “being the root of all evil”.

    Suggesting that Israel and their allies in the Jewish-American community exercise a tremendous amount of control over US foreign policy in the Middle East (especially as it relates to the Israel-Palestine conflict) is far from an anti-Semitic canard. One need only review the events of the past 25 years to find innumerable examples that support that claim. Start with the Regan administration and work your way forward.

    Dan, your comments show you engaging in a subtle form of debate that effectively narrows the discussion to the point where anyone who criticizes or seeks to review the power of Israel is automatically engaging in anti-Semitic rhetoric. Frankly, i believe this is becoming as worn an argument as the anti-Semitic ones that you suggest are at the root of these cartoons. With such power and strength, it is very hard for Israel, or any of its apologists, to argue its simply a victim defending its right to exist.

  6. Very Gutsy political cartoonist. Drawings are well to their point.

    http://www.yourarabconnection.com/

  7. Dan,

    You are missing the point of course there are major conflicts in the world unconnected to Israel. But as far as the Arab and Muslim world is concerned the double standard that is clear to see has enabled a serious conflicts spawned by the occupation of Palestine to dominate the world’s stage. To such a point of blanking out even bigger catastrophies such as in the Congo.

    Howard Simon Marks
    http://www.howardsimonmarks.com

  8. Suggesting that Israel and their allies in the Jewish-American community exercise a tremendous amount of control over US foreign policy in the Middle East

    I just want to add Israel gets more material support from evangelical christian zionists in the US than from jewish organizations, who for some reason are often left out of the discussion.

  9. The Herald's position in relation to the actions of the Israeli government was clearly set out in an editorial published on 19th June 2003. Mr Evans' cartoons have always been judged on the basis enunciated in that editorial (a copy of which follows).

     

    Gavin Ellis

    Editor-in-Chief

    Editorial: A necessary distinction

    19.06.2003

    The correspondence columns of the Herald have over the past few days lambasted this newspaper for publishing a cartoon by Malcolm Evans on the Israeli Palestinian conflict. The cartoon suggested that the situation on the West Bank amounted to apartheid. It was a cartoon that sought to criticise the policy of the Israeli Government and in so doing it included the Star of David. While the Israeli national flag embodies the same symbol, and national emblems are often used to symbolise governments, the Star of David is also representative of the Jewish religion.

    The Herald is at pains to separate the policies and actions of an elected government from one of the world's great religions. For this reason the cartoon was not our preferred choice and another was submitted by the cartoonist. Unfortunately, in our production processes the original cartoon found its way into the newspaper. That is something that we regret.

    The incident has, however, highlighted a fundamental issue faced by news media, and the public in relation to this conflict in the Middle East.

    Criticism of Israel is, in the minds of some, criticism of all of Judaism. Yes, there are some for whom that may be the case; people whose views are driven by prejudice. That is not to say, however, that all criticism of the Israeli government's policy in relation to Palestinians is based on such prejudice, Far from it. There are legitimate criticisms to be made of those policies, just as Palestinians can be called to account for their unacceptable retribution on innocent Israeli citizens.

    This newspaper is not anti-Semitic and stands against such prejudice. No right-thinking person could condone what has for ages been a blight on Western civilisation. However, it will continue to allow in its columns the legitimate scrutiny and censure of policies and actions on both sides of that most regrettable of conflicts between Israel and the would-be state of Palestine. We will expect critics of those policies and actions to be as mindful of the need to protect the sanctity of the Jewish faith as recent events have made us.

 

.................................................................................................



 

By Barbara Sofer
Aug. 21, 2003

Say the words "New Zealand" in a crowd of young adult Israelis and you'll see the yearning in their eyes. They might live in Jerusalem or Petah Tikva, but they can describe New Zealand's spectacular scenery, raw beauty and amazing wildlife. They know places with names like Wanganui and Tongariro, and the Kaikoura coast.

Not only is New Zealand exotic and beautiful, but - best of all - it is far, far away. A place to unwind. As the sabras say: "It cleans the head." A song by the popular group Ethnics says it all: "To be in New Zealand, and to hear cannons only on the queen's birthday."

A place to forget the conflict.

Sophie doesn't see it quite like that. You see, she was born in New Zealand. And yes, being young and fit, she certainly appreciates the surf and sand and vistas. But together with her fondness for New Zealand, she heard an ancient melody drawing her in another direction, even while she was in high school, one among a handful of Jews in a school with 1,600 girls.

At 23, she heard about the free trips to Israel offered by birthright israel. Coming all the way from New Zealand for 10 days seemed a little silly. Would it be all right if she came with birthright, but then stayed on? Instead of 10 days, she spent 10 months. Then she went back to New Zealand and returned to Jerusalem as a new immigrant.

As she went through the immigration process - learning Hebrew, making friends, finding housing and work - she kept up on New Zealand by checking the website of her local paper, the New Zealand Herald.

She bonded with Israel in the years of terror. The Hadassah office where she works as a senior secretary is right on the corner of Jaffa and Rav Kook streets - Israel's equivalent of Ground Zero. Her reading taste has changed some. She's been swapping Primo Levi with friends. Somewhere along the line, her "tolerance level for anti-Semitism dropped precipitously." Living in Jerusalem, she now realized how much space was lavished on what was happening around the corner from her. The so-called Kiwi slant on the Middle East.

One political cartoonist, Malcolm Evans, caught her eye for the anti-Israel venom of his pen. A recent cartoon showed a disaster area with the second "A" in "apartheid" rendered as a Star of David. Another recent cartoon on the Internet showed Uncle Sam on a psychiatrist's couch. "I keep having this nightmare in which Arabs and Israel realize they have more in common with each other than with us, and want to renegotiate our access to oil. The balding psychiatrist with a large nose in the chair, thinks, "What do you mean "us," you goy!"

Sophie was offended. "I am a New Zealander living in Israel," she wrote the Herald. "I frequently check the NZ Herald website for news from home, and to see how news from abroad is reported. When I saw Tuesday's cartoon in which a Jewish 'shrink' refers in a thought bubble to Uncle Sam as a 'goy,' something struck me as slightly disturbing: As if it is not enough that Americans seem to consider that, following September 11, suspicion of Arab Americans is now justified, this cartoon suggests that Jews are new enemies inside.

"This kind of depiction only feeds the belief that Jews cannot be loyal members of another society; that Semitic ties will always prevent them from being fully worthy of a nation's trust. I like to think that New Zealanders are above race-based suspicions, pigeon-holing and name-calling; I feel like yesterday's cartoon proved me wrong."

To her surprise, a rapid reply came from Evans himself, to whom the letters editor must have forwarded her epistle.

"Thanks for writing regarding my cartoon in Tuesday's Herald. I'm sorry you took a throwaway line (a common theme of Jewish comedians) as the cartoon's message, especially when its purpose was in fact quite the opposite," wrote Evans.

"Although I have done many anti-Israel cartoons, on this occasion I sought to plant another idea: Far from fomenting racial distrust, my cartoon hypothesized that Israeli Jews and Arabs might someday recognize that, as common descendants of Abraham, they have more in common with each other than with Uncle Sam, and wondered what the ramifications might be.

"Still, if you think people will take an anti-Jewish message from my cartoon, I shudder to think what effect the news of barbaric Israeli occupation and confiscation of land, the uprooting of ancient olive groves, the destruction of villages, the ghettoizing of communities behind a monstrous wall, and the new law barring the marriage of Israeli Arabs do non-Israeli Arabs, might have."

Sophie passed along Evans's reply to rabbis and Jewish community leaders and friends, Jewish and non-Jewish, in New Zealand and elsewhere.

The "goy" line had been cut from the print edition, she was told. "I'm relieved/impressed" said Sophie, "but it's on the Internet, where it will have a much longer shelf-life."

She felt a gap with some of the people she'd left behind.

"I've so far received a few replies from people I initially wrote to about this, most saying they don't bother to do anything about it, or they don't think it's that bad, or that it's anti-Israel but not anti-Semitic, and I've found this extremely disappointing.

"The cartoon is subtle and amusing, and therein lies its power: No one except a Jew would even look twice at it, and even a Jew looking twice obviously doesn't always think it's objectionable. So the message is absorbed into acceptable discourse and vocabulary, and there it stays."

Sophie's words seem to have struck home. The Auckland Jewish Council used Evans's answer to her to lodge a complaint with the Race Relations Office against Evans for inciting racial issues.

(Sophie "burns the books".)

And what do you know? Shortly after her letter of complaint, Evans parted ways from the New Zealand Herald, the newspaper confirmed. For legal reasons, it is prevented from saying why.

We don't need a cartoon to spell it out.

Sophie doesn't want to take credit.

"Maybe it was the straw that broke the camel's back," she says.

Sophie: "We are known as the chosen people, but a better name might be the choosing people. You can choose to be an insider in this people, or to assimilate into the pack. How you choose always has ramifications."

End of Sophie's  triumph over art and literature. And cute Babs Sofer also!

Love ya girls.  xxx

.............................................................................................

Brian John Evans reply:

"Chosen people"? I say think again! You have just proved Malcolm Evans' claim , Sophie, that zionists are racist and do apartheid, big walls and all on poor people, like the unchosen jews were once , under the nazi heel, say in the Warsaw ghetto? When it was the nazis who were "the chosen" and were killing you? , after of course "choosing people".

Shalom sugar. xxx

And guess what - I am jewish!

Brian John Evans

 ...........................................................................................

zionists witch-hunt Australia’s leading cartoonist

By Richard Phillips
23 February 2006

zionist commentators, aided and abetted by the Murdoch media, have seized on a malicious hoax to vilify Michael Leunig, one of Australia’s leading editorial cartoonists. Leunig’s cartoons are published in the Fairfax-owned Melbourne Age and Sydney Morning Herald.

While Leunig’s work has long been popular for its lighthearted and whimsical qualities, over the last few years his antiwar stance and hostility towards the Howard government and the so-called “war on terror” has become increasingly pronounced. His passionate opposition to Israeli repression of the Palestinian people has also made him a hate target of the local zionist lobby.

Last week a freelance journalist, without permission and claiming to be Leunig, sent one of the cartoonist’s images from 2002 to Iran’s Hamshahri newspaper, which is holding a cartoon competition on the Holocaust in ‘retaliation’ for the publication of anti-Muslim images by Denmark’s Jyllands-Posten and other European newspapers.

The government-controlled Hamshahri claims that it is running the competition in order to test the boundaries of free speech—the justification given by European papers for publishing the caricatures of Mohamed. Instead of politically exposing the real character of the anti-Muslim cartoon campaign, the newspaper has chosen to whip up anti-Semitic hostility inside Iran.

Leunig’s cartoon, which was accompanied by a sham email claiming that the submission was a “show of solidarity with the Muslim world,” was drawn for the Age in May 2002. It was produced during the Israeli military’s bloody assault on the Palestinian towns of Jenin and Ramallah in the West Bank, which killed scores of innocent men, women and children, and its military blockade of the Gaza Strip.

The first section of the cartoon consists of a Jewish concentration camp inmate gazing up at the Nazi slogan, “Work brings Freedom.” The second section is of an Israeli soldier in 2002 confronted with another lie, “War brings Peace.”

Michael Gawenda, editor of the newspaper in 2002 and a zionist, refused to publish the cartoon, claiming that it was “beyond the limits” required for a discussion on the Middle East. In fact, Leunig’s cartoon is a powerful and entirely legitimate contribution to a discussion on Israeli policy and one that reflected the concerns of many ordinary people around the world at the time, including tens of thousands of Israeli citizens.

Slander campaign

Last week, when Leunig discovered that his cartoon had been sent to the Hamshahri contest, he immediately contacted the publication and had the image removed from the Iranian newspaper’s web site. He told the Age that he suspected the misappropriation of his work was probably an attempt to show that he “was a friend of Muslim terrorists.”

While it is not clear whether this was the aim of the fraudster, who confessed to his actions last Wednesday, the zionist lobby and the Murdoch media were not interested. Their target was Leunig.

Pro-zionist commentators peppered the press with denunciations, claiming that Leunig’s anger about the fraud was bogus and accused him of being anti-Semitic and a supporter of Islamic fundamentalists. Some letter writers demanded that the cartoonist be sacked. It didn’t matter in the slightest whether a hoax had been perpetrated or not, Leunig was a public menace and nothing he said could change that, according to his detractors.

Ted Lapkin, policy director of the Australia-Israel Jewish Affairs Council and a commentator for its weekly Review, claimed Leunig was “playing the martyr” and was not genuinely opposed to Islamic fundamentalism. Lapkin’s wife Sharon penned a comment entitled “The hateful world of Michael Leunig,” in which she maliciously accused the cartoonist of an “ongoing campaign to mock and humiliate Australian Jews.”

The Murdoch press joined the fray with its usual blend of right-wing arrogance and thuggish stupidity. It published an editorial in the Wednesday edition of the Australian and an Op-ed piece the next day by Piers Akerman in the Sydney Daily Telegraph.

Headlined “Poison Pen’s Perils,” the editorial railed against Leunig and the Age newspaper. The rambling, almost unintelligible comment denounced the cartoonist for his 2002 cartoon and for his opposition to the provocative anti-Muslim cartoon campaign in Denmark and throughout Europe. The newspaper then vilified the Age for opposing the National Gallery of Victoria’s closure of an exhibition featuring Andres Serrano’s Piss Christ photograph in 1997. The Australian went on to conclude that the “progressive Left,” along with radical Islamists, were a “threat to free speech in the West.”

Akerman in the Daily Telegraph claimed Leunig was now “the artist of choice” of Iranian mullahs and that the cartoonist’s opposition to war and fascism was bogus. Akerman suggested that Leunig had no fundamental differences with Islamic fundamentalists and “doesn’t know a terrorist when he sees one.”

Michael Gawenda was given space in Thursday’s Age to offer his own malevolent insinuations. He alleged that the cartoonist was not concerned about Hamshahri’s racist campaign and had “gone out of his way to praise the Iranians.” Leunig’s anger, according to Gawenda, was “beyond belief” because in reality he was “soft” on Islamic fundamentalism.

These baseless slanders against Leunig are based on a simple technique—the crude amalgam. If you reject the so-called “war on terror” and its associated war crimes then you are with the terrorists. If you are against the US-led invasion and occupation of Iraq then ipso facto you back Saddam Hussein. And finally, if you oppose the Israeli dispossession and repression of the Palestinian people then you must, like Michael Leunig, support Islamic suicide bombers, Muslim fundamentalism and anti-Semitism.

The purpose of the campaign is to pressure his editors into sacking Leunig, and to intimidate anyone who dares challenge Israel’s criminal policies against the Palestinian people. This follows a definite pattern that has already led to the sacking of editorial cartoonist Malcolm Evans from the New Zealand Herald in August 2003.

Like Leunig, Evans, one of that country’s leading cartoonists, was accused of anti-Semitism by the zionist lobby because he highlighted the human consequences of Israeli government policies. Evans was ordered by the newspaper’s editor to stop submitting the offending images and then sacked because he drew a cartoon equating Israeli repression in the Occupied Territories in the West Bank with apartheid.

A rare figure is Malcolm Evans, in the corporate controlled media.

New Zealand Herald, which is owned by the APN News & Media group, claimed that Malcolm Evans had violated a company policy of not publishing religious symbols to represent governments or secular bodies. This policy, however, was ignored by one of APN’s publications in Australia earlier this month, when the Rockhampton Morning Herald published the anti-Islamic cartoons.

While Canberra has made no official comment on Leunig, there is no doubt that it would like the cartoonist pulled into line. One of the purposes of the wide-ranging anti-terror laws introduced by the government last year was to silence anyone challenging its “war on terror” policies.

The witch-hunt against Leunig constitutes a fundamental attack on democratic rights. The cartoonist has been a principled and consistent opponent of social inequality, fascism and war—a rare figure in the corporate controlled media.

When asked to comment recently on the anti-Muslim cartoons, he correctly characterised them as deliberate “taunts” against “an aggrieved and traumatised spiritual community who feel at the mercy of the West’s contempt, ignorance and ruthless military might.”

Explaining his attitude towards the Israeli government in a January 13 article for the Age he wrote: “I have a Jewish friend, a Holocaust survivor, who says that she never could have lived in Israel because in her view it is a totalitarian state.... I believe that something fundamental and vital, not just to Israel but to the entire world, has been gravely mishandled by the present Israeli administration and it bothers me deeply. It is my right to express it.”

On the war in Iraq and the responsibility of being a political cartoonist, he told the Australian Broadcasting Corporation (ABC) Radio last year: “I think if a cartoonist is representing the government line on Iraq, they’re nothing better than a propagandist.”